Bio & Artist Statement

Jade Lowder was born on a reservation in Montana. He received his BFA in painting from Montana State University in 2012 and his MFA in painting from Washington State University in 2015. While attending both programs, Lowder connected with many of his fellow classmates creating collaborative efforts that have gone on to host gallery shows, experimental shows(such as a Drive-Thru Art Gallery and 24 hour exhibition), living room shows and figure drawing groups.  His latest solo exhibition, Make Sense, was an exploration of space, pop-culture and identity. Currently, Jade resides in Bozeman, MT where he teaches Drawing and Painting at Montana State University and continues to make work and seek out new and exciting exhibition opportunities.

How we connect with space is a question that we must focus on and give awareness to if we hope to  possess a broader understanding of ourselves. I believe that through painting and the examination of  images and places that I find important, or inversely unimportant and banal, I can construct a picture of  what identity is. By using the questioning of a metaphysical interaction with places and spaces as the  focus of the work, the mediums act often as conduits for a larger conversation. 

Painting exists in tactility. We feel the brushstrokes and the movement of the paint in our bodies, the  painter’s presence is known through the interpretation of the act of painting. The ability to perceive  touch through visual cues in an image forms a direct link between the viewer, the painting, and the  painter. Beyond the basic tendencies of the medium of oil paint, whether the work is executed through  drawing, acrylic or sculpture, that sense of touch is a constant focus in the work. Through this  connection or conversation, the questions I seek to formulate are based in the development of a system  of methods to contribute to the creation of identity. 

Looking at images of spaces, places and people that we find important in our day to day lives, and by  utilizing this process of communication through painting, I want to engage on multiple levels an investment in the spaces that I am interested in. Space can reveal much about our personalities and our  perceptions of the world around us. We identify ourselves by where we are from—where we live and  where we choose to spend our time. Our perception is directly tied in to our understanding of the self.  

In contemporary life this connection has become even more strenuous with the addition of social media  and constant instant gratifying distractions. Our perception of these places, that once formed a direct  connection to our psyche, are now disconnected or are at the very least in flux. This question and  disconnection doesn’t necessarily mean that we are losing our ability to connect with space, but it does  mean that it is changing. My project, my work, my goal is to examine these disconnects in painting and  by working with them in a process that is directly connected to a conversation between maker, image

 
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